​DIRECTOR

Kristofer Kauff 


​Kristofer Kauff began his career as an actor, performing in a diverse range of productions including Off-Broadway, regional and community theater, film, television, and at theme parks such as Walt Disney World and Universal Studios. Over the past 25 years, he has established himself as an accomplished director in NYC, Washington D.C., Los Angelos, Orlando, and now in Maine. He is recognized for his resourcefulness, patience, and deep commitment to collaboration—qualities central to every production he leads.​

Kristofer currently serves as the Artistic Director at Schoolhouse Arts Center, where his recent directing credits include I Hate Hamlet, Disaster!, Proof, Waiting for Godot, and Carrie: The Musical. Upcoming productions include Boeing Boeing (September 2025) and The Rocky Horror Show (October 2025).

He is dedicated to expanding the mission of Schoolhouse Arts Center by actively engaging the community, providing meaningful educational opportunities, and delivering top-quality entertainment. Kris is proud to serve as the Artistic Director of such an incredible theater company, one with a rich history deeply rooted in community.

​With an extensive career spanning New York City, Off-Broadway, regional theaters, national tours, educational theater, theme parks, and beyond, Kristofer has dedicated much of his professional life to developing new works through workshops, readings, and fully staged productions.

​Since 2011, Kristofer has also served as the Performing Arts Director and Staffing Director at Maine Arts Camp, contributing significantly to arts education and programming.

He is a proud associate member of the Stage Directors and Choreographers Society (SDC).       ​


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Philosophy and Approach 

"I believe in leading a truly collaborative effort, utilizing the strengths of everyone involved in each production.  Throughout my career, I have been dedicated to directing shows with an honest and natural approach, making productions accessible to new and seasoned audiences.  In the rehearsal process I encourage actors to search for the reality in their characters and relationships, always staying within the shows overall vision.  It's about bridging the script to the audience, always staying true to the writers intent."